![Paz ErrázurizLa Palmera, (The Palm Tree), from the series "La Manzana de Adán", (“Adam’s Apple”), 1987Photograph77 x 110 cm](https://freight.cargo.site/t/original/i/50a492a938ddfb2dd8cec6094a26390b0af994db5199775281d1530553c4cd88/Paz-Errazuriz-9.jpg)
![Paz ErrázurizCoral y Macarena, (Coral and Macarena) from the series "La Manzana de Adán", (“Adam’s Apple”), 1987Photograph110 x 77 cm](https://freight.cargo.site/t/original/i/6516080d755c9c516be325ec93d20114a19fe2184ae4609cb6730cb1597a5b6a/Errazuriz-4-blanca.jpg)
![Paz ErrázurizLa Palmera, (The Palm Tree), from the series "La Manzana de Adán", (“Adam’s Apple”), 1987Photograph110 x 77 cm](https://freight.cargo.site/t/original/i/9d4d7f0843eb51ce740cba8d777274f0b82983e0fe37297fc75b33959964dd5b/Errazuriz-5-blanca.jpg)
![Paz ErrázurizSusuki y Andrea Polpaico, (Susuki and Andrea Polpaico), from the series "La Manzana de Adán" (“Adam’s Apple”), 1986Photograph77 x 110 cm](https://freight.cargo.site/t/original/i/b425abff75ba622887e0674c1482da0ab1f9634044e6c3b5224aa810d1d912ad/Paz-Errazuriz-8.jpg)
![Paz ErrázurizEl Infarto del Alma 1, (The Heart Attack of the Soul 1) from the series "El Infarto del Alma", (“The Heart Attack of the Soul”), 1994Photograph110 x 77 cm](https://freight.cargo.site/t/original/i/64bb3205c90af84bcddb45d81025b2a72dbe2cda88c21d9129db13c38e007e63/Errazuriz-7-blanca.jpg)
![Paz ErrázurizEl Infarto del Alma 7, (The Heart Attack of the Soul 7) from the series "El Infarto del Alma", (“The Heart Attack of the Soul”), 1994Photograph110 x 77 cm](https://freight.cargo.site/t/original/i/4e494ad5112d35cd369afbad9de3d66666370693376b602e237bfafad2e938c8/Paz-Errazuriz-6.jpg)
PAZ ERRÁZURIZ
(Santiago, 1944)
Errázuriz has produced one of Chile’s best-known photographic oeuvres. Her output largely consists of black and white images—mostly portraits—which explore life on the fringes of society, capturing different settings such as hospitals, slums, brothels, and even the canals of the country’s southernmost region. The artist usually works in series, such as Adam’s Apple (1982-87) and The Heart Attack of the Soul (1994), which she then presents as aesthetic- thematic clusters. Errázuriz own words summarize her project perfectly: “what I photograph has to do with people who are not at the center, who stand outside and have always been subordinated to power.”
Fundación Engel © 2020
Fundación Engel © 2020